BERG

Dec 8th, 2010
6 Comments
BERG

BERG

BERG

BERG

ALPHA LONDON
The ‘Alpha’ male concept runs through all branded communication. By using imagery of the North Alaskan timber wolf we evoke a sense of danger and raw power. This combined with a strong colour palette of reds and black with minimalist typographic treatments results in a confident, sophisticated and provocative brand identity.

www.bergstudio.co.uk

BERG

BERG

BERG

BERG

FREYTAG
Freytag is a photographer whose evocative images are of scenes that are, more often than not, overlooked for their seeming banality. And yet it’s in locations and still life such as these that his talent comes to the fore, transforming the ordinary into the extraordinary through unique composition, colour and tone.

The identity we created has a utilitarian neautrality which allows the work to come to the forefront. The ‘dot’ graphic device represents the lense and furthermore a specific point in time. The Monochromatic colour palette and typewriter inspired font reinforces the understated unpretentiousness of his work

In addition we designed material for the solo exhibition ‘Between the lines’ begins early 2011. Visit the website:

www.freytag.co.uk

BERG

BERG

ELIXIR WINES
We were approached by New Zealand based wine exporter Wine Connection to create a bespoke brand identity for their range of exclusive wines. We had always wanted to design a wine label, so when the opportunity arose to not only design the label but also develop the strategy and name, we jumped at it.

We chose the name Elixir as it evokes an old world charm and opulence. The ‘Elixir of life’ was a perfect metaphor as it gives the impression that the product is out of the ordinary, something limited and precious. To further enhance this mood we applied a confident no nonsense typographic treatment and balanced this with a beautiful illustration of an 18th century flask. The wine itself was fantastic.

www.bergstudio.co.uk

BERG

BERG

BERG

BERG

EDITORIAL
In case you haven’t heard the news, Berg is a new studio founded by my good friend Mr. Daniel Freytag.
Based in the UK, they design seamlessly across a wide range of interdisciplinary media including branding and identity, digital design, editorial design, environmental design, publishing and public art, collaborating closely with clients to come up with solutions they can all be happy about.

Big thank you once again to Daniel for the nice big images. For more info you can check out their new site below:

www.bergstudio.co.uk

LORNA
Inspired by the Brothers Grimm and their dark Germanic fairytales and Tim Burton with his outlandish visions, Lorna uses her imagination and unique style to produce spellbinding images.

The bespoke nature of Lorna’s work demanded an identity that is equally unique and quirky. For Lorna’s logo we developed a hand drawn signature.
A mark that communicates the flamboyant personality and quirky qualitites present in her work. There are subtle accents of colour and materials which hint at a Victorian formality whilst the work itself turns these constrictions on their head. View her website:

www.lornas-portraits.com


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6 Comments

  1. “By using imagery of the North Alaskan timber wolf we evoke a sense of danger and raw power…”

    Maybe because I don’t necessarily fall into the specific target audience bracket of a typical alpha male, but for me the image in question conjures up not so much the gut-reactions described. Personally I feel more so an association with women’s fashion and fur coats. Is anyone else reading into it in this same light?

    I wouldn’t dare to assume that a whole spectrum of images were not explored before arriving at this one to represent the brand, though I would have certainly flagged up these potential connotations having members of the public in mind, who, like myself aren’t immediately capable of reaching a deeper understanding of the concept. That said: it’s a minor slant on what is otherwise a truly solid identity.

  2. Dan

    @Grez Yep, agreed, that was instantly my reaction, the close crop spoke to me of fur coats/luxury, rather than male-ness-ness. Apart from that, great stuff.

  3. David

    @Dan I’m not going to lie – If I was looking at this work for the first time and I knew nothing about the concept, my initial reaction to the close-crop of the fur would also be fur coats. Having said that, I don’t think this image is used on any communications in that particular manner – it just highlights the beauty and simplicity of the identity.

  4. While I like the identity, upon further look, I feel the same. I think the choice of a Timberwolf is logical and good. However, I think the selected photography doesn’t show the raw, dominant side of the Wolf, but more a ambiguous, and indifferent look. Regardless, the mark and type are well crafted, perhaps the supporting photography could be revisited at some point. Looking forward to seeing more of your work.

  5. Where do you get those wonderful buttoned envelopes produced?

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