Session 1: Commonwealth x Build x Saccenti

Jul 10th, 2009
10 Comments

Session 1: Commonwealth x Build x Saccenti

Lard series furniture by Commonwealth
Photography by Timothy Saccenti
Photographic retouching by DopePope
Art direction/Design by Build
Print by Generation Press

In addition to functionality and aesthetics, did you feel that it was of significance to translate the physical attributes of the furniture into the catalogue? We went into this knowing that Build would never make something in the way we do. We weren’t really looking for any kind of ‘direct translation’ of the furniture itself. Maybe what we were looking for was some kind of reflection of the creative relationship we’ve built with Michael. I suppose you could say we were looking for a Build Haiku to wrap around our Commonwealth Lard…

Tim is also a friend who we’ve worked with in the past, and have great respect for the particularities of his style. So again, we weren’t looking simply for legibility. We absorb a lot from Tim especially for his weird ways of depicting the abstract and the unknown. The photography is both sharp and surreal which all feels in line with Commonwealth’s approach to concepts, ideas and final pieces. It’s funny, but the page which shows the Morfina door handles in prototype held by Andrea has become a genesis to some amazing work we are currently developing, including a show in Tokyo that showcases Tim’s photography and film work and some bizarre masks designed for Tim’s film.




When it came to choosing a suitable designer and photographer to realize your vision; did you have a list of potential candidates or did you know right from the start that Michael and Timothy were the right people for the project? Have you seen the work these two guys produce? Insane. Underrated.

Was the designer [Michael] given free-reign creatively or did he have to abide to a strict set of guidelines? I’m sure we gave him a hard time when it came to a few details, but overall, when you work with a guy like Michael and you know how much he loves what he does, you don’t really set a lot of rules.







Conclusion We were very happy with the end result. The booklet sets up a slow procession. One has to interact with it to open the slipcase cover. As you start revealing the three different accordion sections you learn more about our work, its intensity and the visceral nature of these pieces.
It is so great to have the chance to work with colleagues who you highly respect. Here’s to more in the future.





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10 Comments

  1. David

    Thank you Michael, Timothy, Zoe & David

    Check out more hi-res images on Flickr
    http://www.flickr.com/photos/septemberindustry/

  2. great stuff and inspiring

  3. Nice!

    Hey David, by the way, your RSS never displays images. I’ve tried re-subscribing numerous times but they never show up. Just wanted you to know.

  4. Well done!

  5. David

    Antonio, call me old fashioned but I don’t really use RSS feeds, personally I prefer checking the website itself. But thanks again for the notification, I’ll have a look into it.

    X, Thank you :)

  6. Kevin

    Great work and nicely put together.

  7. David

    Thank you Kevin

  8. Thank you for the feature David.
    -
    M

  9. David SI

    No problem Michael, it was the least I could do.
    Work as good as this deserves not only to be seen, but also written & talked about.

  10. I think a mention of Generation Press, who printed this lovely job, should be added.
    Quality from all parties.

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